SINthetic by J.T. Nicholas - Book Tour + Giveaway
SINthetic
The New Lyons Sequence #1
by J.T. Nicholas
Genre: Science Fiction – Cyberpunk Noir
Pub Date: 1/23/2018
The Artificial Evolution
They look like us. Act like us. But they are not human. Created to perform the menial tasks real humans detest, Synths were designed with only a basic intelligence and minimal emotional response. It stands to reason that they have no rights. Like any technology, they are designed for human convenience.
Disposable.
Disposable.
In the city of New Lyons, Detective Jason Campbell is investigating a vicious crime: a female body found mutilated and left in the streets. Once the victim is identified as a Synth, the crime is designated no more than the destruction of property, and Campbell is pulled from the case.
But when a mysterious stranger approaches Campbell and asks him to continue his investigation in
secret, Campbell is dragged into a dark world of unimaginable
corruption. One that leaves him questioning the true nature of humanity.
secret, Campbell is dragged into a dark world of unimaginable
corruption. One that leaves him questioning the true nature of humanity.
And what he discovers is only the beginning . . .
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The
neon signs glowed sullenly, sending sickly tendrils of light slithering down
the rain-soaked streets like so many diseased serpents. Once bright and
inviting, the reds and blues and greens had dimmed and paled, sloughed off the
flush of health, and left behind a spreading stain of false illumination that
heralded nothing but sickness and decay. The signs themselves, flickering and
buzzing, wheezing like something that wanted to die, something that should have died long ago, offered up a
thousand different sins, unflinching in the frank descriptions of the acts
taking place within the walls that they adorned.
I stared at those signs,
indistinct and hazy beneath the mantle of falling rain. The mist softened their
lurid offers, restoring, however imperfectly, an innocence the city lost long
ago. As the gentle caress of a silken veil added mystery to the sweeping curves
of the female form, hinting at secrets far more tantalizing than the revealed
flesh beneath, the cloak of rainfall shrouded the city’s darker side, softening
its edges and lending it an air that approached civility.
Approached civility, but did
not—could not—achieve it.
With a sigh, I turned my eyes
away from the cityscape, and dropped them to the pavement beneath my feet. To
the body that rested there, or what was left of it.
After nearly ten years on the
job, I still had to fight down the bile threatening to crawl its way up my
esophagus and force its insistent path between my teeth. The body—so much
easier to think of it as “the body” and not “the woman”—lay flat on its back,
arms stretched out above its head and crossed at the wrists, legs spread
akimbo. No clothing. Nor could I see any discarded garments in the immediate
area. The pose, purposeful and meticulous in its own horrifying way, was a
parody of passion. It was a pose that was likely even now being played out in
many, perhaps most, of the establishments adorned with the gasping neon signs.
With one very notable difference.
Vestiges of beauty clung to the
woman, holding desperately to a youthful vivacity that was losing an inexorable
battle to the unnatural slackness of death. Makeup adorned that face, hiding
the pallor beneath blush and eyeliner, lipstick and shadow, only now beginning
to fade and run beneath the unrelenting assault of a thousand raindrops. Her
features were symmetrical, regular, past the awkwardness of youth, but not yet
touched by the wrinkles or worry lines that would fell all of us in time.
I forced myself to look past her
face, past the strong lines of her outstretched arms, sweeping past her bared
breasts and to the…emptiness…that extended beneath her sternum.
From her lowest ribs to the tops
of her thighs, the woman had been…
I realized I didn’t have a word
for what had been done to her. The words that stormed through my mind—savaged,
brutalized, tortured—leaving a teeth-gnashing anger in their wake and making my
stomach twist itself into a Stygian knot, were almost certainly true, but they
did not describe what lay before me.
Hollowed.
The word floated up from
somewhere in my subconscious, bringing with it memories of carving into
pumpkins and scooping out the seeds and ropey innards with big plastic spoons
made slick and awkward from the pulpy mess.
I clamped my teeth so hard that a
lance of pain shot along my sinus cavities, but it kept me—if only just—from
vomiting.
Hollowed.
The skin and muscle had been
removed from the woman’s stomach and groin. The organs that should have been
present—stomach, intestines, kidneys, everything south of the lungs—were gone.
The tissue beneath them, the muscles along the spine, back, and buttocks
remained, exposed to the air and rain. I could just make out pinkish gray
tissue poking from beneath the ribs, so I guessed the lungs, and probably the
heart, were intact and in place.
There was no blood.
The steady rain had formed a
small pool in the resulting cavity, taking on a cast more black than red in the
dimness of the night. No more blood on the body. No more blood at the scene.
“Holy Mary, Mother of God.”
The heartfelt exhalation came
from behind me, and I glanced over my shoulder, tearing my eyes from the horror
before me. The uniforms had finished cordoning off the area, spreading the
yellow tape in a rough perimeter maybe twenty yards in diameter. Even on a
night like this, in a neighborhood like this, a crowd had gathered, a few dozen
people pressed up against the tape as if it were the glass wall at an aquarium,
desperate to peer into the darkness and see the wonders and horrors within. All
of them pointed screens in my direction or stared with the strange motionless
intensity of someone wearing a recording lens. I prayed that the darkness,
rain, and distance would cloud their electronic eyes, and grant the woman what
little privacy and modesty were left to her.
Halfway between me and the tape
stood a small, trim man in his late forties. A fuzz of iron-gray hair sprouted
from his head like a fungus, and a pencil-thin beard traced the line of his
jaw. He wore blue coveralls, stenciled with the words “Medical Examiner” in
gold thread. Dr. Clarence Fitzpatrick had been medical examiner in New Lyons
for longer than I’d been a cop. We had worked some gruesome homicides, scenes
far messier, at least in terms of scattered gore, than what lay before us. But
nothing quite so damn eerie.
“Yeah,” I muttered. “What can you
tell me?”
He made his way to the body and
knelt by it, blue-gloved hands extended over it as if trying to divine
information from the ether. “Liver temp is out of the question,” he said. There
was no humor in his voice, no attempt to make light of the nature of the
remains; he was simply stating the facts of the case before him, retreating
behind cold professionalism. It was something you learned quick on the job. Those
who could not put a wall between the atrocities and their own souls never
lasted long.
He touched the flesh of the
woman’s arm, pressing against it, feeling the elasticity. “No rigor mortis,
which means that death was either very recent or she’s been gone awhile.”
He panned a flashlight across the
body, the pale flesh luminescing under the harsh white light. “No discoloration
of the remaining tissue. The damage sustained to the torso is sufficient to
cause death, but there is no way to tell in situ if that occurred before or
after she expired. Though if it had been done here, we would certainly be
seeing a lot more blood, even with the rain.” He spoke in short, clipped
bursts, keeping the medical jargon to a minimum, for my benefit no doubt.
His hands moved to the woman’s
head, peeling back the eyelids. “Cloudy. Most likely, she was killed more than
twelve, but less than forty-eight hours ago. Apart from the obvious
evisceration, there is no readily identifiable cause of death.” He cupped the
woman’s face in his hands, twisting it gently to the side, continuing his field
examination. He brushed back the dark locks of her hair, revealing the back of
her neck. A deep sigh, a sound of relief, not regret, escaped him. “Thank God,”
he said.
I stared down at the woman, not
really seeing what the doctor saw, but I knew what would be there. Only one
thing could have drawn that reaction from Fitzpatrick. A raised pattern of
flesh, roughly the size of an old postage stamp, darker than the surrounding
skin and looking for all the world like an antiquated bar code. The tissue
would be reminiscent of ritualistic scarring, but, unlike the woman herself,
would not have known the touch of violence. It could be called a birthmark, but
“birth” was not a word applied to the lab-grown people that were, collectively,
known as synthetics. They bore other names, of course, dozens of them, all
derogatory, all aimed at dehumanizing them further, at driving home the point
that, though they might look and act and feel like us, they were not humans.
Dr. Fitzpatrick was not immune to
that dehumanization. “Thank God,” he said again. “She’s a mule.”
J.T. Nicholas was born in Lexington, Virginia, though within six months he moved (or was moved,
rather) to Stuttgart, Germany. Thus began the long journey of the military brat, hopping from state to state and country to country until, at present, he has accumulated nearly thirty relocations. This
experience taught him that, regardless of where one found oneself, people were largely the same. When not writing, Nick spends his time practicing a variety of martial arts, playing games (video, tabletop, and otherwise), and reading everything he can get his hands on. Nick
currently resides in Louisville, Kentucky, with his wife, a pair of indifferent cats, a neurotic Papillion, and an Australian Shepherd who (rightly) believes he is in charge of the day-to-day affairs.
rather) to Stuttgart, Germany. Thus began the long journey of the military brat, hopping from state to state and country to country until, at present, he has accumulated nearly thirty relocations. This
experience taught him that, regardless of where one found oneself, people were largely the same. When not writing, Nick spends his time practicing a variety of martial arts, playing games (video, tabletop, and otherwise), and reading everything he can get his hands on. Nick
currently resides in Louisville, Kentucky, with his wife, a pair of indifferent cats, a neurotic Papillion, and an Australian Shepherd who (rightly) believes he is in charge of the day-to-day affairs.
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1 Comments
I enjoyed getting to know your book; congrats on the tour and thanks for the chance to win :)
ReplyDeletePlease try not to spam posts with the same comments over and over again. Authors like seeing thoughtful comments about their books, not the same old, "I like the cover" or "sounds good" comments. While that is nice, putting some real thought and effort in is appreciated. Thank you.