Live on TV3: Palm Springs
The Broadcast Murder Series Book 2
by Bill Evans
Genre:
Thriller, Mystery
Thriller, Mystery
California’s Palm Springs was a hotbed for movie stars, big money and high crime,
making it a great town to be a TV news reporter and police detective
in the '80s and '90s. There, we see the explosive Sonny Bono rise to mayor before he becomes
a US Congressman, we meet Frank Sinatra and his wife at exclusive dinner
parties, and journey with a hard-nosed cast of police and newsroom
personalities mingling among the stars while trying to solve a
pyramid scheme and murders. Evans provides a candid insider's view of
newsroom operations and scheming TV personalities who will do anything to get ahead.
making it a great town to be a TV news reporter and police detective
in the '80s and '90s. There, we see the explosive Sonny Bono rise to mayor before he becomes
a US Congressman, we meet Frank Sinatra and his wife at exclusive dinner
parties, and journey with a hard-nosed cast of police and newsroom
personalities mingling among the stars while trying to solve a
pyramid scheme and murders. Evans provides a candid insider's view of
newsroom operations and scheming TV personalities who will do anything to get ahead.
Palm Springs is the prequel to Evan's first novel, Murder at Broadcast Park.
Learn how Stewart, Lisa, and the ever unsuspecting Dugan built a broadcasting empire.
Learn how Stewart, Lisa, and the ever unsuspecting Dugan built a broadcasting empire.
TOM
PRESTON HEARD Jennie Neeley introduce him from the news anchor desk.
Three
. . . two . . . one . . .
“Tom
Preston is on assignment outside the Hyatt Hotel in downtown Palm Springs. TV3
has uncovered a major Ponzi scheme involving some very highprofile business
people and educational leaders from our desert communities.”
“Jennie,
that’s right. I’ve been working on this story for the past three weeks—”
The
television monitor suddenly went blank.
Jennie
and the TV viewers couldn’t see the pandemonium and chaos erupting on Palm
Canyon, the street in front of the Hyatt Hotel. The TV3 live truck had
exploded, spewing metal, shrapnel, and bodies everywhere.
“Shit,
what happened to our live shot? Our truck is dead.” The TV3 production control
room scrambled to figure out what went wrong. “Get Tom onthe phone.”
“Somebody
find out what’s going on out there!” Johnny Johnson shouted.
JJ,
as he was called, was the news producer and commanded the troops. He reported
to the news director, the head person in the newsroom. He was like a sergeant
in a foxhole, taking orders from his lieutenant and keeping his control room
calm as everyone scrambled around trying to find out what had happened. JJ cued
Neeley and told her to get them into a commercial break.
Losing
a live shot was not all that uncommon for a small-market television station in
1987. However, TV3 had fixed most of their technical problems over the years,
and people in the know thought they were a technically sound station.
Their
problem tonight was beyond any technical issues they could have imagined.
Outside
the Hyatt, the scene looked like something from a Third World country. First
responders—police, fire, ambulances—poured onto the scene. TV3’s main anchor,
Tom Preston, had been doing a rare standup, anchoring his investigative story
on location. He was found on the ground unconscious, his shirt splattered with
blood and cuts on his head. There was a second body facedown about a hundred feet
away. It was Terry Lynch, the photographer responsible for running the live
truck and camera for Tom Preston’s story.
Glen
Barnes was the first detective on the scene from the Palm Springs Police
Department. Sandi DiSanto, his partner, arrived moments later. The police were
quick to cordon off a half-block radius for their crime team. Tom drifted out
of his unconscious state just in time to watch the EMTs perform CPR on his
photographer. Tom tried to get on his feet and over to where Lynch was dying.
He
wasn’t able to stand, collapsing only to have his fall stopped by one of the
attending EMTs. Tom slipped back into unconsciousness.
Neeley
sat on the anchor desk inside the studio trying not to be pissed. She took it
personally whenever something like this happened. The main anchor was the face
of the station. It was easy to be mad at her engineers and the loss of the live
shot. The station had been promoting the story for two days, and it was
disappointing to everyone involved in tonight’s newscast. The live shot was the
whole story.
Jack
Router, TV3’s news director, rushed into the news production control room.
“What happened to our live shot?” he screamed.
Jack
was a serious newsman; he pushed his newsroom kids to take their game to a
considerably higher level than what a television station in market 163 should
be performing at.
He
called to an assistant. “I’m going out to the Hyatt. Keep Jennie in the anchor
chair. Roll the other live truck and let’s get some more reporters down there.
We need to figure this out on the run until we know what’s going on. Call
everyone in and see if we have someone close to the scene.”
Jack
ran out of the control room, out the station door and to his station vehicle in
the parking lot.
Bill Evans is a 45 year broadcast veteran who has turned writer. His first
novel, Murder at Broadcast Park, was released in October, 2017 by
Koehler Books. His second book in the Broadcast Murder series will be
released in the summer of 2018. Both books are being considered for
TV Movies. Bill writes with a lot of dialogue and in the words of his
publisher, "doesn't use a lot of word calories."
novel, Murder at Broadcast Park, was released in October, 2017 by
Koehler Books. His second book in the Broadcast Murder series will be
released in the summer of 2018. Both books are being considered for
TV Movies. Bill writes with a lot of dialogue and in the words of his
publisher, "doesn't use a lot of word calories."
With his experience and insight of what goes on behind the scenes in the
broadcast world, Bill's novel is able to paint a vivid picture of
what really happens when the cameras are off. Leaving you on the edge
of your seat, you will not want to put "Murder at Broadcast
Park" down. The story is fiction with so much non-fiction thrown
in you might not know the difference by the time you finish.
broadcast world, Bill's novel is able to paint a vivid picture of
what really happens when the cameras are off. Leaving you on the edge
of your seat, you will not want to put "Murder at Broadcast
Park" down. The story is fiction with so much non-fiction thrown
in you might not know the difference by the time you finish.
Currently Bill resides on California's beautiful Central Coast. He continues to
have a passion in the broadcast world and working in local media.
Bill has developed a love of writing and is excited about the
launching of his writing career.
have a passion in the broadcast world and working in local media.
Bill has developed a love of writing and is excited about the
launching of his writing career.
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