THE ANCESTOR
Lee Matthew Goldberg
Thriller / Mystery
A man wakes up in present-day Alaskan wilderness with no idea who he is, nothing
on him save an empty journal with the date 1898 and a mirror. He sees another
man hunting nearby, astounded that they look exactly alike. After following this
other man home, he witnesses a wife and child that brings forth a rush of
memories of his own wife and child, except he’s certain they do not exist in
modern times—but from his life in the late 1800s. After recalling his name
is Wyatt, he worms his way into his doppelganger Travis Barlow’s life. Memories
become unearthed the more time he spends, making him believe that he’d been
frozen after coming to Alaska during the Gold Rush and that Travis is his
great-great grandson. Wyatt is certain gold still exists in the area and finding
it with Travis will ingratiate himself to the family, especially with Travis’s
wife Callie, once Wyatt falls in love. This turns into a dangerous obsession
affecting the Barlows and everyone in their small town, since Wyatt can’t be
tamed until he also discovers the meaning of why he was able to be preserved on
ice for over a century.
A meditation on love lost and unfulfilled dreams, The Ancestor is a thrilling
page-turner in present day Alaska and a historical adventure about the perilous
Gold Rush expeditions where prospectors left behind their lives for the promise
of hope and a better future. The question remains whether it was all worth
the sacrifice….
Praise for THE ANCESTOR:
“Lee Matthew Goldberg is an animal—there is no other way to say it. His prose is
heavyweight ambitious, as visceral as a sweaty-toothed dog at your throat. He
evokes Robert Louis Stevenson as much as he does a modern thriller novelist. And
I’ll be honest: I expected a crime novel, but I got a spell-binding epic, an
epistolary revelation, a tale as rich as a paying gold mine.
The Ancestor is more than a novel. It’s an ode to the rich tradition of
adventure storytelling…seasoned with ample spice of love and violence and
greed.” —Matt Phillips, author of Countdown and Know Me from Smoke
“In The Ancestor, Lee Matthew Goldberg masterfully weaves together a
story involving family and violence set against the backdrop of an unforgiving
Alaska of both past and present.” —Andrew Davie, author of Pavement and
Ouroboros
“From the icy opening battle of man vs. wolf, you feel yourself in the hands of
a master storyteller and that feeling never lets up.” —SJ Rozan, bestselling
author of Paper Son
“This thrilling novel is rich in descriptions of the vast, snowy, and deadly
wilderness of Alaska; it ably captures the type of person who chases gold.” —Foreword Reviews
“A story that blends the familiar and the supernatural in a manner that calls
Stephen King’s work to mind. That said, Goldberg’s book possesses a flavor all
its own—a distinctive mélange of the sincere and the strange.” —Kirkus Reviews
“Beautifully written, and capturing the unforgiving grit of Gold Rush Alaska,
Lee Matthew Goldberg’s The Ancestor is a thrilling page-turner with an
ache in its heart. I’m a huge fan.” —Roz Nay, author of Hurry Home and
Our Little Secret
“A suspenseful historical thriller.” —Indie Reader
“One of the year’s best thrillers. Blake Crouch fans will love Goldberg’s
Alaskan opus.” —BestThrillers
_____________________
1
One eye open, the other frozen
shut. He knows what an eye is, but that other “I” remains a mystery. Mind
scooped out and left in ice. Words are hunted, slowly return. Blue sky,
that’s what he sees. The sun twinkling like a diamond. Tundra, there’s
another recalled word. Packed snow on all sides as if the world succumbed to
white. The air a powerful whistle. A breeze blows, not a friend but a
penance. It passes right through and chills to the core, this enemy wind.
Limbs atrophied, no idea when they last moved. Boil of a sun thaws and
prickles. Tiny spiders swinging from leg hairs, biting into flesh. He cries
out but there is no sound. For it feels like he hasn’t spoken in
centuries.
Back of
throat tastes of metal. Blood trapped in phlegm. A cough sends a splatter of
red against the stark land, a streak in the form of a smile. When was the
last time he ate? His stomach growls in agony, a good sign. Organs working,
or at least attempting to work. His one eye scans to the left and the right,
no sign of anyone, not even an animal. No chance for a savior or
sustenance.
He gums
his jaw, the first inkling of movement. Aware of his scraggily beard coated
in frost. Crystals spiral from his chin, collect in his lap. Now he sees his
hands, luckily in gloves except they are a thin brown leather, rather
useless. Bones crack as he maneuvers to remove the gloves. Fingers tremble
once hit with fresh air and numbness subsides. Massages his legs, gets the
blood flowing, an injection of life. The spiders accelerate and then relent,
toes wiggle, and he sits up. Around his neck rests a notebook and a fountain
pen, the tip crusted in flakes. He feels an object in a front pocket and
pulls out a silver compact mirror, the back embroidered with floral
patterns, ladylike. This is not my mirror, he decides, but then has a
more important realization. Who am I? With trembling hands, he brings
the mirror up to his face for a glance.
The
reflection of a stranger. All beard save for some features that emerge. A
bulbous but authoritative nose, green eye flecked with gold, a mane of dark
hair cascading to his shoulders. Handsome in a grizzled way. Shades of a
bear in the roundness of his cheeks and a wolf in his stare.
“I am…,”
his lips try to say, but there is no answer. Often one can wake from a dream
and the dream seems real for a moment, but a sense of self never vanishes.
Whoever he was has been long gone, unlikely to return anytime soon. At least
while he remains freezing in the wilderness.
I must make it out of here.
It’s
relieving that he thinks of himself as an “I”. Whoever he is, he
is someone. A mother birthed and fed him from her breast. A father
taught him.…taught him what exactly? Survival skills? How to hunt? If he had
a father worth his while, he’d know how to do this.
And then,
a caterwauling from the depths of his soul, a fawn-in-distress call that
plants a trap for curious predators. He knows this sound well, meaning he’s
lured prey before. His daddy schooled him like a good man
should.
The
waiting game. Another call erupts, a coyote’s howl this time. He can
recognize the difference. Then it comes to him that he needs to know what to
do should an animal appear. He pats down his pockets, no weapon but his
fists. And then, the clinking of sharp nails against the ice sheet. A
majestic wolf, eyes like the sky, shimmering coat the color of clouds. Its
charcoal nose twitches; the blood he hacked up in plain sight. He and the
wolf lock into a dueling stare, neither wanting to be the first to flinch. A
vision of death with baring teeth, or the start of his new life if
victorious. The wolf doesn’t give him a chance to contemplate, lunging with
a mouth full of saliva. He catches it in a brutal embrace and becomes
knocked off his heels, slamming his back against the hard ground. They
skitter down a slick snowcap, snapping at one another like angry lovers. The
wolf is relentless, a worthy opponent, a test of wills. He gets the beast in
a headlock, trying to crack its neck, but the wolf is too slippery. Breath
fumes from other kills circle into his nostrils—this wolf has never lost a
battle before. Blood splashes, no clue which of them has been wounded. They
spin in the snow like a tornado. He makes a fist, jams it in the wolf’s
mouth. Teeth marks scrape against his knuckles as he rams his fist farther
down the wolf’s throat. The wolf heaves, chokes, attempting to chew off his
hand but its strategy is futile. It has only come across other animals,
never a human mind that can think steps ahead.
Now he
attempts a headlock again with his left arm, squeezing off circulation. The
wolf lets out a whimper that reverberates through his wrist. They lock into
a dueling stare again, except this time he does not see the many kills of
the wolf through its gaze. He visualizes its sadness, its inevitable end.
And then, the sound of a heavy branch snapping, the wolf’s neck broken, his
blood-soaked fist removed from the back of its throat. Its dead tongue
lolling out of its mouth against the icy bed. He pets its beautiful coat,
this formidable foe, now a present wrapped with a bow. Delectable to quench
his all-consuming hunger.
He needs the clearest block of ice he can find. Using the wolf’s teeth to
carve a fine translucent round piece, he creates a magnifying glass. He rubs
the dirt away and keeps rubbing until enough moisture flecks off. There’s a
bed of whittled grass at the slope he and wolf ended up in, and he holds the
ice over the dry grass, propping it against two logs until a brilliant
rainbow prism shoots through and ignites a fire. He rips off all the
breakable branches he can locate to stoke the flames. While it continues to
spread, he procures a rock to blunt out the wolf’s teeth, then uses them for
the painstaking task of skinning the fur. He does it carefully so a
semblance of a coat remains, which he dips into a nearby brook to wash away
any lingering blood and sinew. The sun has mostly dipped behind the
mountains and he wears the wolf’s coat to mask the chill, then roasts its
carcass over the roaring fire, breaking off legs and gnawing while the true
flesh still cooks.
The meat
is a godsend to his empty stomach and also an immediate poison that his body
rejects by throwing up. But he sucks on some ice and the queasiness
diminishes. By the time it’s fully cooked, darkness reigns and he feels more
like a shell than anyone has before. Except with each chew, this lessens and
soon he becomes human again. But the loneliness isn’t as easy to fight off.
There are souls that feel lonely, he assumes, but at least they have
themselves for company. They can rely on memories to help them through cold
nights. He searches his mind for a wisp of the past, any nugget, wading
through a never-ending sea. The horizon seemingly attainable, but with every
stroke just as far away. He’d cry but the tears are frozen in his ducts, and
his one eye still sealed shut.
When
enough of the wolf has been eaten so his belly distends like a newly
pregnant woman, he feeds the fire with more broken limbs and curls up to its
warmth, his only confident in this harsh wilderness, possibly his only
companion forever—a lifetime of attempting to be caressed by flames and
nothing more. He wraps himself tightly in the wolf’s fur, hoping that when
he wakes again he’ll know who he is. The nightmare vanished along with the
sun rising like a bride’s pretty little hand on his grizzled cheek.
_____________________
AUTHOR INTERVIEW
1. If you
could tell your younger writing self anything, what would it be?
Not to be bothered too much by rejection
since it makes you a better author.
2.
Favorite childhood memory involving books?
Probably anything with the Lion, Witch and
the Wardrobe series. Those were a favorite.
3. Did
you want to be an author when you grew up?
Yes, this is always what I’ve wanted to do.
4. What
is your most unusual writing quirk?
I write under a tree in Central
Park as long as the weather is nice.
5. If
you could own any animal as a pet, what would it be?
A husky/corgi mix. They are called horgis.
6. Have
you ever met anyone famous?
Yup, a few
7. What is
the first book that made you cry?
The Road by Cormac McCarthy
8. How long,
on average, does it take you to write a book?
About a year, start to finish.
9.
What are your top 5 favorite movies?
Heathers, Terminator 2, Wall
Street, Days of Heaven, Mulholland
Drive
10.
Do you have any advice for aspiring writers?
Don’t settle for no, you only
need one yes.
11.
What is your favorite genre to read?
Probably thrillers.
Lee Matthew Goldberg is the author of the novels THE DESIRE CARD, THE MENTOR,
and SLOW DOWN. He has been published in multiple languages and nominated for
the 2018 Prix du Polar. The second book in the Desire Card series, PREY NO
MORE, is forthcoming, along with his Alaskan Gold Rush novel THE ANCESTOR. He
is the editor-in-chief and co-founder of Fringe, dedicated to publishing
fiction that’s outside-of-the-box. His pilots and screenplays have been
finalists in Script Pipeline, Book Pipeline, Stage 32, We Screenplay, the New
York Screenplay, Screencraft, and the Hollywood Screenplay contests. After
graduating with an MFA from the New School, his writing has also appeared in
the anthology DIRTY BOULEVARD, The Millions, Cagibi, The Montreal Review, The
Adirondack Review, The New Plains Review, Underwood Press, Monologging and
others. He is the co-curator of The Guerrilla Lit Reading Series and lives in
New York City. Follow him at leematthewgoldberg.com
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