With a
jangle of keys, a door opened. Herbert clanked in, his arms locked to his
sides, his ankles shackled, his face a Hannibal Lecter mask. He was overjoyed
to see me.
“Marco,
I’m jailed day and night with murderous thugs who can’t tell Schiller from
Shakespeare. I’m desperate for intellectual stimulus—but you’ll do for now.”
TV
personality Marco Ocram is the world’s only self-penned character, writing his
life in real time as you read it. Marco’s celebrity mentor, Herbert Quarry,
grooms him to be the Jackson Pollock of literature, teaching him to splatter
words on a page without thought or revision.
Quarry’s
plan backfires when imbecilic Marco begins to type his first thought-free book:
it’s a murder mystery—and Herbert’s caught red-handed near the butchered body
of his lover.
Now Marco
must write himself into a crusade to clear his friend’s name. Typing the first
words that come into his head, Marco unleashes a phantasmagorical catalogue of
twists in his pursuit of justice, writing the world’s fastest-selling book to
reveal the awful truth about the Herbert Quarry affair.
Purchase
Links
US -
https://www.amazon.com/gp/product/B08SJ6K62S
UK -
https://www.amazon.co.uk/gp/product/B08SJ6K62S
Excerpt
Denis Shaughnessy is the author of the Awful
Truth series of surreal comedies which introduce a new way of writing
fiction. The supposed author, Marco Ocram, seems to be inventing the stories in
real time as he appears as a self-invented character, sharing with the reader
many of his immediate thoughts about his writing. Since he’s typing the story
as he goes, he has no chance to edit anything or to think ahead, so he makes
all sorts of mistakes. In The Awful Truth about the Herbert Quarry Affair,
Marco begins the story with news that his mentor, Herbert, has been caught
red-handed in what seems to be a brutal murder. This extract, in which Marco meets
the sister of a suspect, contains some typical Ocramisms…
I parked my black Range Rover by Kelly's diner and edged my way through the crowd of revelers within. Within the diner, I mean, not the Range Rover. The atmosphere was tense and aggressive. Fights broke out sporadically between drunk men wielding pool cues, and drunker women chalking their tips. I found a dark and cozy nook where Jacqueline was waiting. She was dressed to kill. I asked her why.
“I have just finished a shift in the family abattoir. I came over
without having time to change. I hope my attire does not make you uneasy.”
“No, no,” I reassured her, “not in the least.”
But my reassurances satisfied her more than me—a woman who cut up
carcasses was ideally qualified to dismember Lola Kellogg. Instantly I was on
the alert. All of a clichéd sudden, the fighting crowd had withdrawn to
the periphery of my mind—my absolute focus was now on the blood-spattered waitress.
“Tell me what you know about the affair between Herbert and your
sister,” I typed, preparing the reader for several huge dollops of unrelieved expositional
dialogue.
“Herbert, as you know, was a bestselling novelist, so he commanded an
instant overwhelming sexual attraction over all women. My sister was no
stronger than the rest of us, and instantly succumbed to his charms. He took
her to a province of northern India, where, he said, he wished to revisit
a guru who was a master of the Preveesh yoga Herbert had practiced in
his youth. According to Herbert, the guru had a needle passing all the way
through his skull. He had achieved the extraordinary insertion through minutely
small increments over tens of years, so the cells of his brain were able to
accommodate it naturally.”
“Unbelievable,” I said, in what was probably the first accurate
utterance in the book. “Did the guru not suffer any complications?”
“Only at the barbershop. When Marcia and Herbert arrived at the
province, Herbert booked them into a luxurious hotel at the foot of the
mountains; there they feasted on the exquisite cuisine, on the culture, and on
each other's bodies. She told me she had never experienced such intense and
profound sexual satisfaction before.”
I nodded—Herbert was a bestselling author, after all.
“But even while they were
there together, Herbert became infatuated with one of the village girls whose
mother served at the hotel. Herbert made a pretext of wishing to be shown an
ancient temple deep in the woods, to which, he claimed, the girl was one of few
who knew the route. He was gone for three days, and upon his return all his
libido was spent. It was clear to my sister that Herbert had seduced the young
female. From then on Herbert found every excuse to be away from my sister, and
eventually left the hotel altogether, leaving only a ticket for my sister's
flight home and a hundred dollars for her incidental expenses.”
“What happened when Marcia returned to Clarkesville?”
“When Marcia returned to Clarkesville, she was in a highly scorned
state. I remember the night she got back. She drank a huge amount of whiskey
and told me she would see Herbert Quarry rot in hell.”
“What happened the next morning?”
“The next morning, people saw ‘Herbert
Quarry is a pedophile’ daubed in huge letters on the side of City Hall. It
attracted the interest of the media locally and nationally, and Herbert was
obliged to make various statements denying the accusation. After a supposed
tipoff, which I imagine came from Herbert himself, the police arrested Marcia.
They soon found she had no alibi; the paint daubed on City Hall matched a
half-empty pot in her garage; discarded bristles in the dry paint matched those
of a recently used brush in her garage; and her fingernails bore traces of the
exact same paint. She was charged with defacing a public building; and it
wasn’t long before Herbert added a civil charge of libel. But before those
charges came to trial, Herbert’s lawyers made a motion to have my sister
committed to an institution for nine years on grounds of insanity. Although the
family fought it, we were outgunned by Herbert’s expensive attorneys.”
“What happened on the night they took her
away?”
“I can never forget the night they took her
away. Her anguished and full-throated screams echoed down the street. Again and
again I heard her scream she would kill Herbert Quarry, until the threats were
drowned by the sirens of the ambulance into which she had been constrained and
taken away.”
“When was this?”
“Exactly ten years before the day Herbert was
found with the dismembered corpse.”
Another coincidence—my investigation was
becoming plagued with them. I glanced over our discussion thus far—almost two
pages of pure dialogue. To avoid accusations of Talking Heads Syndrome, I made
Jaqueline sigh, nudge her hair, sip a drink, wipe a tear from her eye at the
recollection of her sister’s suffering, wince at a Village People song being played for the third time running on
the jukebox, smooth a napkin on her knee, and stick pins into a Herbert Quarry
voodoo doll, before I asked my next question.
“Did your sister receive any psychiatric
treatment when she was incarcerated in the lunatic asylum?”
“Yes. She developed a strange habit which
attracted the interest of a researcher into the psychotic traits of the insane.
He became virtually a daily visitor, such was his interest in the case.”
“Interesting. Can you tell me his name?”
“Yes, if you are sure you want me to.”
“Why shouldn't I?”
“Well, if I didn't remember his name, you
would have an excuse for a couple of pages of padding in which you
discover it through other means.”
“Don't worry, there will be plenty of time
for padding later. Tell me his name.”
“It was Professor Sushing.”
Author
Bio –
Little is
known of Marco Ocram’s earliest years. He was adopted at age nine, having been
found abandoned in a Detroit shopping mall—a note taped to his anorak said the
boy was threatening the sanity of his parents. Re-abandoned in the same mall a
year later, with a similar note from his foster parents, he was homed with his
current Bronx mom—a woman with no sanity left to threaten.
Ocram
first gained public attention through his bold theories about a new fundamental
particle—the Tao Muon—which he popularized in a best-selling book—The Tao Muon.
He was introduced to the controversial literary theorist, Herbert Quarry, who
coached Ocram in a radical new approach to fiction, in which the author must
write without thinking—a technique to which Ocram was naturally suited. His
crime memoir, The Awful Truth about the Herbert Quarry Affair, became the
fastest selling book of all time, and made him a household name. It was
translated into every known language—and at least three unknown ones—and made
into an Oscar-winning film, a Pulitzer-winning play, a Tony-winning musical,
and a Golden Joystick-winning computer game.
Ocram
excelled at countless sports until a middle-ear problem permanently impaired
his balance. He has yet to win a Nobel Prize, but his agent, Barney, has been
placing strategic back-handers—announcements from Stockholm are expected soon.
Unmarried, in spite of his Bronx mom’s tireless efforts, he still lives near
his foster parents in New York.
Social
Media Links – @denishaughnessy on twitter. www.theawfulauthor.com
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